Thursday, 21 April 2016

Position Statement


 Based in the UK, I am a practicing Illustrator and designer, creating highly detailed imagery that catches the eye. My work is design based, involving motifs and patterns that are often inspired by animals and nature.

Always willing to build upon my passion for design and print, I am always trying to push my abilities in order to make the most beautiful work. I’m very happy to work alongside others, thriving from a buzzing environment, as well as independently. I enjoy challenges and am always willing to learn.

 From my development throughout BA (Hons) Illustration, I have become confident in calling myself an Illustrator. My practice has been formed from a strong detail, within my practical drawings, as well as the communication of my practice. Starting from scratch with a fine art perspective, practicing as an Illustrator has allowed me to bring context, meaning and purpose to my projects. Attention to detail ensures that I keep the value of my drawings when they are applied to products and prints, and when processes are applied to them. I am skilled at taking observational drawings, and giving them a purpose.

   Process is very important to me; it brings another element of value to an image, and makes it more desirable. I am most happy to make screen prints, foil prints and laser cut images, as I feel that they are processes that add a more bespoke feel to a product. The craft element to the making of work is something that drives my practice more than ever, however, I am perfectly capable of bringing digital work to life.

   I have a good understanding of the use the use of colour, layout and type, which I have taken on projects that allow me to design packaging, posters, etc. I also utilized these skills in order to develop my brand. I have a strong interest in working within a design company, and am willing to learn and develop in order to push the boundaries with my work. I see myself as someone who works best alongside others, whether it is in a studio, or in the presence of another Illustrator such as through my experience of collaboration with Sophie. 

Evaluation

Evaluation

   My time on BA (Hons) Illustration has been a fairly challenging one. I've learnt an awful lot, as I came to realise during an interview day, when I was working as an ambassador, showing perspective students around and telling them exactly what I've got out of this course. I outlined a story with the main points being that this programme has allowed me to change so much as a person, let alone as a practitioner. 

   As well as coming to know a lot about how illustration works within the creative industry, I have realised a few things about myself. I know now that I am always determined to work as hard as I can, pushing myself to get the most out of whatever I take on. With this knowledge, I am more confident with my abilities, and I believe that I can get to where I want to be, as long as I work hard. When the course first began, I felt as if I'd never be able to complete it. It was so challenging! More so than anything I've ever done, and it was a shock. Everyone was so clever, and talented and seemed really comfortable, whereas I had no idea what I was doing. From this point on is when I really started to change, and I felt better in myself for doing so. I feel empowered by the fact that I've been successful on this course, and enlightened because I know that I have a range of developed skills and attributes; strong academic capabilities as well as artistic skills. 

   I've been encouraged to think analytically and critically about my practice and the world around me, which helps me to position myself as a creative. The past year has propelled me forward into exploring options beyond Leeds College of Art. Research for Personal and Professional Practice has been helpful in this aspect. Through attending Be Your Own Boss in the summer, as well as Career Track Tuesdays, Start Up Wednesdays and the Association of Illustrators lecture, I now know the main aspects of practicing as a freelance illustrator.
  
  I feel well prepared to leave Leeds College of Art, knowing that I have more than a qualification; I have a better understanding of society, of myself and the things I can do. Verbal and written communication skills, software skills, teamwork/ collaboration, and time management are a small selection of what I've improved on, I can take these skills and apply them to anything that I find myself doing. 

  I realise that this experience was so valuable, and I don't want to stop pushing myself and trying new things. This is why I'm currently researching creative job roles. I have contacted design studios and practitioners as part of PPP, and I intend to keep doing so, as it provides me with insight into how the industry works, what is expected of me and what I still have to develop. I'll keep going until I have a job that I'm happy with. It seems like it would be most advantageous for me if I got an internship at a design studio, which would be the start of my next learning curve. I say this because I think that design is where my work is heading. I have moved away from fine art/ portrait work, and started thinking about the applications of my drawings, where they can go and what they could do. I began to realise in second year, once I'd stopped panicking about everything, that I prefer to give my work more of a purpose, I feel more job satisfaction when I sell work as a product. This is why at one point this year, I tried to make portraits and got pretty stressed about it - I didn't understand at the time that I feel most happy with my work when it makes sense - when it isn't just a pretty drawing - when it is informed by research, shows a thinking process, has an application. 

  Hearing illustrators talking about their practice through programmes such as big heads and visiting speakers has helped me to understand that it is very hard when being freelance to know where the next pay cheque is coming from. This is why I'd like to try and get a job whilst I find my feet and get a place to live etc. I also want to work around people rather than on my own; I have learned that I feel a lot less motivated working at home than when I'm in the studio. Collaboration with Sophie to form Pink Cat Club this year has been another way that I have found this out. 

  I don't want to lose the momentum that the course has given me, I plan to go as far as I can possibly go. I'm excited to apply the new me to a 'real life' job. 

PPP Presentation

Creative Presence Boards

Portfolio

Here is my up to date portfolio. It shows a range of my work, going from my portraits, to motifs, to my cards, wedding invites, products and the celebrity cats. I'm not 100% happy with it at the moment, I think that the more work I do for 603, the more I'll change it.

Pink Cat Club Plans

We've moved on a bit with Pink Cat Club since we just designed cards. We've set up lots of markets to go and sell at, this will help us to promote ourselves as well as get a feel for what sells. We're also developing an online presence. So far, we've got an Instagram account @pinkcatclub.
Also, Sophie's set up a blog for us to post to weekly - http://www.pinkcatclub.blogspot.com
We should continue to develop this collaboration after we leave. 

Wednesday, 20 April 2016

Artsmix Reply

I got a reply from the Artsmix director he seemed to be pretty happy with our application, so we should be able to start trading with them soon.