Thursday, 17 March 2016

Linkedin

I've been engaging with Linkedin, and I thought that I'd contact some allumni from the college to see where they are now! I thought I'd start off with my connections, I know a few people that graduated last year, through being at the Hepworth Print Fair and Life After College's Summer sessions. They have design jobs now, so I asked them how their last year has gone. The message went like this: 


Hi Hannah, I'm from Leeds College of Art, I'm doing illustration and I'm about to graduate this year. I think you're a year ahead of me? So I'd be really grateful if you could share your experience of graduating and maybe give me some tips how to get onto the next step? Thanks a lot! Abby


The response I got from Hannah was amazing!!

Ok...... massive essay coming your way!! I went to all of the career track tuesdays because I wanted to be as prepared for life after college as much as possible, they helped but a lot of it was common sense I found!? Anyway, from May onwards I was applying to jobs. I used indeed.co.uk to find jobs mostly but also any other websites that came up when I searched for creative jobs. I got a list of places to search for jobs at a career track tuesday session too, but there's so many different websites so I mostly used the most common. I had an interview for a creative role at Asda before I left uni, but nothing came of it and they didn't end up hiring for the position but as soon as I got home I wrote down all of the questions that they asked me (they asked about 20, it was crazy!) so that I could use them to prepare myself for future interviews.

 When I left college I was taking part in New Designers which half of the Printed Textiles class get to go to, it's in London and on for about 4 days at the end of June. None of us had jobs secured and were hoping for things to come from this show. I ended up having a couple of small commissions from individuals and a couple of features on blogs come from New Designers but no job interviews or anything major. I went back home to Sussex after that, and kept applying for jobs. Every job I applied for I would send my CV and a PDF of my work, if they wanted it. I wrote down details of every job that I applied for in a document on my laptop to keep track of what I had applied for and when. I didn't want to get a reply from a job and not remember what the job was, because having to ask what the job role was would be very awkward!! I ended up applying to about 80 jobs between May and September.

 I applied for loads because I applied to jobs all around the UK (and even some abroad, though I knew I didn't have much of a chance of getting one abroad!) and I applied to loads of job I knew were way too advanced for me, and required years of experience but I tried my luck anyway because applying for jobs on indeed takes about 10 seconds, so why not! I also applied to loads of graphic design jobs which weren't so relevant for me. I ended up having 4 interviews out of the 80 jobs I applied for- Asda in Leeds, Argos & Homebase in Milton Keynes and two at home in Sussex. 3 interviews had one person interview me and one had two people interview me, they were all different, one lasted half an hour and one lasted 2 and a half hours!!! But that was really casual and was mostly us chatting away! 

The ASDA one was probably least casual as she fired all of those questions at me! Anyway, I didn't get offered any of those 4 jobs! Howevvvvvvverrrrr... I got an email mid summer from Card Factory who are in Wakefield and they had been to New Designers looking to employ 2 graduates and they had also looked at local degree shows, including LCA, where they found me & contacted me. I ended up going for a casual interview and then a trial day throughout the summer and they offered me one of the positions. It was funny that after all that job hunting and applying, someone ended up actually scouting me. I am however confident that I'd have gotten a creative job if I'd just persevered with applying for jobs! Don't give up!!!! Oh yeah, I was on jobseekers allowance for a couple of months after leaving college and starting my job, which just about got me by without having to get a 'normal' job. 

They also paid for my travels to the interviews around the country and even for a night in a hotel when I came for my trial day at Card Factory. I know that graduates have sent companies their CV and postcards of their work with a letter asking them to consider them for any future roles which I know impresses companies and does make them stand out more than just an email would, so that's what I'd have considered doing if I hadn't got a job. I also still try to do private commissions, post on my instagram page and do exhibitions and stuff like that, just so that I'm still 'in the scene' if you like. internships- I did my first after I worked at camp america between 2nd and 3rd year summer, it wasn't paid and wasn't as cool as it sounds, I had to pay to stay in someone's house for two weeks, but it was in New York so looks super cool on my CV! I got that by emailing a tonne of companies in NY, I emailed about 25 and this one said they'd have me! 

I did the Zandra Rhodes one in London half way through 3rd year, they take on loads of interns all the time and I got that by emailing them too, again that wasn't paid and I stayed at a family friend's house in London. The last one for Wilko's was actually something that came from New Designers as the Wilkos design team were offering to pay expenses up to £500 for some grads to come in for 2 weeks and work on some projects, so yeah they found me there, and they made the most of me because they paid for my hotel and train so I got to work on kids stationery which was great. I did the placements really for experience and for my CV, which funnily enough was never seen by Card Factory as they contacted me and never asked for it (I don't think!) so hey, you can 100% get a creative job without having done any placements, but I'd do a week here and there if you possibly can, to bulk out the CV, and have something to talk about in interviews. 

 Ultimately I'd say to take as many opportunities as you can, keep doing things, keep applying for things, contact people, don't be disheartened by rejection! Do not give up!!! I wish I'd not worried so much, because everything works it's way out in the end, worrying is just a waste of energy!


I'm so happy that she took the time to tell me all of this - she really didn't have to make so much effort! 

CV & Portfoilo Update


Circle Line

I got a Reply from Circle Line: 

Ian Kilbourn ian@circlelinedesign.com

09:52 (19 minutes ago)
to me
Hi Abby


Thanks for you email. We currently have a full studio of designers and don’t have any space for interns this year. 

Sorry I can’t be of more help, I have attached a list of other studios who may be looking for designers or illustrators. They are all London based and have a similar way of working to us. 

I hope this is useful

Thanks again 

Ian

Amanda Kelly; studio@amandakelly.com <mailto:studio@amandakelly.com> , Tel (44) 207 9340150.
Baxter Fawcett Design Studio; linda@baxterfawcett.com <mailto:linda@baxterfawcett.com> , Tel (44) 207 613 3413
Bay & Brown; bayandbrown@btinternet.com <mailto:bayandbrown@btinternet.com> , Tel(44) 1245 442734
The Colorfield; info@colorfield-design.com <mailto:info@colorfield-design.com> , (44) 20 7357 7500
Jack Jones Design; info@jackjonesdesign.com <mailto:info@jackjonesdesign.com> , (44) 207 713 0101
Keelergordon; sales@keelergordon.com <mailto:sales@keelergordon.com> , (44) 208 986 7151
Nancy Parker; buck@nancyparker.com <mailto:buck@nancyparker.com> , (44) 207 254 3548
Pattern; studio@patterntextiles.co.uk <mailto:studio@patterntextiles.co.uk> , (44) 207 739 2888
Printfresh; rachael@printfreshstudio.com <mailto:rachael@printfreshstudio.com> , (1) 215 426 1661
The Collection; info@collectiondesign.co.uk <mailto:info@collectiondesign.co.uk> , (44) 207 703 4605
Tom Cody London; sales@tomcodydesign.com <mailto:sales@tomcodydesign.com> , (44) 207 033 3969
Whiston and Wright; sales@whistonandwright.com <mailto:sales@whistonandwright.com> , (44) 208 7493506

I'm glad that when I get replies that they try and help as much as they can despite not having space for internships. I'll be looking into the places that Ian suggested asap!

Tuesday, 15 March 2016

Card Publishers - Emails

I sent an email like this out to a few publishers, hoping to get work experience. I did this because when I was on the Greetings Card Association website, they talked about getting internships/ work experience, and suggested looking at lists of their members in the section dedicated to those offering internships. In hindsight, I think I went on 'looking for artists' which probably means they want people to send in work, but oh well. The email went like this:

Hi (person's name),

 I am an illustration student, currently studying at Leeds College of Art, this is my final year.
I love to make highly detailed imagery that catches the eye, in a particularly fun, cute and current style. I am always looking for ways to bring a contemporary flair to my portfolio.

 I'd be thrilled at the chance to build upon my passion for design by getting to put my professional image making skills to work. I am fluent in the use of Adobe CC programmes such as photoshop, illustrator and InDesign.

   The possibility of working for YTR Design would be an absolute dream for me, as I am continually striving to push myself to the limits with my artistic capabilities. I am keen to learn as much as possible about the demands and responsibilities that one may face in this role. I love to be challenged, and would be delighted to get into a working environment where I can do everything and anything I can to help out, and bring a positive energy to the studio.

   If you have any placements or even just good advice, I'd be so grateful for a response!

I hope to hear from you soon,
Abby Glover

I sent this as well as my portfolio and CV to: 

http://www.bellybuttondesigns.com/

http://www.paperrose.co.uk/

http://www.splimple.com/previewpage.html

http://www.words-n-wishes.co.uk/

http://www.ytrdesign.com/

These were all those on the list which are either in Yorkshire, or are near to where my parents live in the West Midlands.

I have two replies but it's only been 2 days so perhaps I might get more. 

My first reply was from YTR designs: 


"Hi Abbey,

Thank you for your email and brochure, your design work is beautiful but right now we are not looking for external design work but we do use freelance designers and will keep your details on file and we will be in touch when we are looking to commission designs.

Kind regards
Yasmin"


At least she says my design work is beautiful... 

The next one was from Splimple, with a little bit more advice: 

"Abby – thanks for your email.  We’re not able to assist you but I thought I’d give you a brief insight into how this industry tends to work.  Generally would-be artists create ideas for cards and send them to loads of publishers in the hope that something sticks, somewhere.  It’s worth me pointing out that we, like most publishers, receive perhaps one such art submission every day of the year.  The standard varies enormously and the competition is fierce – and it tends to be therefore only the most original, highest quality concepts that get a second glance (I can tell you the finish on some submissions is very high indeed … and some is shockingly bad!).  Few publishers keep Artists on their books to consult for on-going work.

Some publishers focus more on the technical quality of the artwork, others on the originality of the idea.  You have to assume that the publisher you are submitting to has no imagination – so they will only judge you on what you show them … they will not think ‘nice idea, might have potential, with a bit of tweaking’: so it’s either right for them or it’s wrong. 

Few if any publishers buy concepts.  Creative publishers (like us) generally come up with their own ideas then look for artists to deliver them; non-creative publishers look for finished artwork that they can license without making any amendments.

If you want to test out the market, I’d encourage you to create and self-publish a few designs, as that’s the quickest and frankest way of receiving constructive feedback – and if you come up with something that sells, you’ve a good story to offer a prospective publisher.
I hope this helps you Abby, and I wish you the best of luck in your endeavours.

Stuart"

It was handy to get some advice from a publisher, because I really don't know much about the industry. It's vauable to get another point of view.

Carol Lawson

I found Carol Lawson's work on Central Illustration Agency and it's so gorgeous. She seems to focus on animals and works with extraordinary detail, creating colourful paintings. She writes and Illustrates her own books, as well as fairy tales. Her work is also featured in international advertising and packaging.

Pink Cat Club

I feel like I've not explicitly explained on my PPP blog exactly what Sophie and I are doing for this collaborative project/ business idea.
Originally we came up with the idea of doing a joint card brief this year. I wanted to work on cute animal designs, whereas she wanted to work on her brush lettering. We thought that we could combine these an make them into cards.

Based on a crit, we  learned that the designs were a bit forced together and didn't really work as well as we hoped. It was advised that we both make our own designs and perhaps stick to a similar colour scheme and use of stock.

Even this was a bit troublesome, as we both wanted to try different things and experiment, we found that one process worked for one of us but didn't for another.

A success of this was that I found I work better when I have a bit of pressure and responsibility, as opposed to doing something off my own back. Working on a project with Sophie motivated me to get stuff done, and I think the project brought us closer together as friends. We talk about our projects to each other more and constantly give advice to each other, sharing artists we find inspiring etc. I think we realised that even though we don't work in the same way, there is a success of being interested in the same areas of illustration, and aiming our work at similar audiences, having a similar tone of voice.

From this, we decided that we'd make our own cards, but sell them together under the name; Pink Cat Club (we got this name from listing all the stuff we both like, seeing what adjectives went with which nouns) and naturally Pink Cat Club was born. It would be aimed at the same audiences (16-25) and would have the same tone of voice (girly, cute, trendy, humorous).

We've made cards based on this, and are looking for market opportunities to sell them as well as our own work such as prints. We sorted out public liability insurance for this yesterday, so we should be getting the certificates soon, and sending it with our applications. We want to get as many sorted as we can, so we can get out there and start promoting ourselves.

We'll also be looking into potentially setting up a card publishing business together. When we leave, we will both be staying in Leeds, so this will help us with communication etc. Sophie's just signed for an apartment for July and she showed me another, which is part of the same building - that would be even more convenient!

Sophie's also done us a really cool logo, since she's good at that sort of thing. She even made some stickers out of it for us!

Greetings Card Association

The Greetings Card Association has been a handy website for a number of reasons. I've been on there throughout researching for my greetings card brief, as well as when I was looking for people to contact for work experience. They have sections for students which inform them about the industry, as well as lists of their members that are looking for internships/ artists. They also have guides on how to set y publishing businesses, which I'll be looking at because I'm really interested in it. Since me and Sophie are thinking about selling similar stuff, it would be useful to know.
Below is some of the information that the website shares, this is just for my future reference.

Resources for Students

Resources for Publishers

"Is it worthwhile pursuing a career in greeting cards? How do you get involved in the greeting card industry? What are the options?"

The UK greeting card industry is a world leader, a home-grown fashion industry. New publishers start up all the time and existing publishers are always looking for new designs. It is a vibrant multi-skilled industry with people entering from many different backgrounds, including fine art, graphic design, textile design, font and calligraphic design.

This section pulls together the relevant resources on this website, to help you decide whether to make greeting cards your chosen career path or part of your portfolio of interests.


This section briefly explains the advantages of each step when researching/ trying to enter the greetings card industry: 

Researching the Industry
Trade Fairs
Competitions
Internships and Work Placements
Freelance Designing
Publishing Your Own Artwork


Q&A

Despite being such a huge industry with lots of opportunities, very few colleges promote this industry to students. Here are the answers to the questions most frequently asked by students
  • My lecturer has put me off entering the industry saying it is oversaturated. Is it worthwhile pursuing?
    In the UK we buy more greeting cards per person every year than any other nation and this industry thrives on new design. It is a mature and very compeitive market, but there is always strong demand for new designs.
  • Would working within the greeting card industry be enough to support me financially?
    This depends on how good you are! There are plenty of artists who are making a good living from greeting card design.
  • What are the people in this industry like?
    This is a very friendly industry. Even though everyone is competing against each other in a crowded market, it is also a supportive community where people talk and share information.
  • I want to start up a publishing company of my own, but am unsure of how to begin.
    Our Starting Up section provides in-depth information and advice, including information on the Ladder Club Seminar, a very reasonably priced one day crash course in greeting card publishing.
  • As a new publishing company, how can I promote myself?
    All GCA members have their own page in the Members' Directory on this site, which is used by retailers to source new products. Progressive Greetings is our official journal and the leading magazine to the greeting card trade. Published monthly, the magazine’s Innovations section showcases the latest ranges and products and artists are featured in the Art Source section. These sections are both free publicity for publisher or  artist being featured.
     
  • As a publisher, how many designs should I ideally have when lauching my company at a trade fair?
    To exhibit at a trade fair, you should have between 50-60 designs in total across a number of card ranges. This gives retailers a wide range to choose from and enables them to cherry pick designs.
     
  • I have some ranges that are very different in style from each other, would this be a problem?
    Your ranges should sit well when placed together, for example you wouldn’t place a very rude range next to a cute one.
     
  • What is the best way to gain better knowledge and experience of the greeting card industry?
    Internships, work placements and trade fairs make for the perfect glimpse into the industry.
     
  • Are companies like Clintons and Paperchase classified as publishing companies?
    Generally publishers produce and retailers sell, but just to confuse the issue, in this increasingly hybrid world some of the multiple retailers also publish their 'own brand' ranges. However, the the independent card and gift shops will be unlikely to do this and will purchase products from publishing companies to sell to the general public
    .

Design Work Placement Application

I have started to apply for some work experience. Through living with printed textiles, I've acquired a list of companies to start off with. Below are companies I've sent my CV and Portfolio to.

Amsterstampa

Joules

Alexander McQueen

Baxter Fawcett

Bay and Brown

Circle Line Design

I contacted them on the off chance that I could get a placement, where I could learn about applied design. I want to get an idea of how real life design studios work, so I could understand a bit more about how the industry works.

I emailed them all except for Joules; I couldn't find an actual email address so I just applied for one of the jobs that I'm not qualified for. From this I got a rejection email, but I now have an email address, so I could ask for work experience if I need to.

Wendy Plovmand

Wendy Plovmand is part of Central Illustration agency. She's a practising illustrator who produces highly detailed work with a lot of pattern and portraits. Her work is beautiful and I find her an interesting artist to look at for extended practice inspiration. She's done makeup packaging design and it's so nice/ encouraging to see because its similar to what I could see myself doing. Her response to my email is below. 






Hi Abby,

Thank you for your email and interest in my work. Also apologize for not being able to get back to you sooner.

I will recommend you to simply do what you love and keep experimenting, stay curious and unique - don't flow trends but make sure to experience in life all things that inspires you.
And go out there - knock on doors, call, email, network and show your work to possible clients, people, friends…
There is no need to be nervous - If you love what you do - you a likely to be really good at it . )

I wish you all good luck with your passion and work!

Best regards,
Wendy

Yet more advice to bother anyone and everyone I can! I've got a lot to do before and after I leave! Being unique seems to be another common thing I've been hearing - I'm always striving to projects that are 'me' so I'm not too worried about that. I will always try and do what I love. 

Jazmine Cant

Jazmine Cant 


I'm really thankful for this response, she put a lot of advice into this email, and makes a lot of fair points which I'll remember when I'm stuck. This has motivated me to use social media more actively, and it's nice to hear from someone who's had successful illustration jobs that they have similar problems to me when it comes to motivation and having some insecurities about work, we're all human after all. This woman is really cool, I want to be her friend... 

Hi Abby, 

Thank you for the kind words, they are much appreciated. Of course I'm always willing to help out if I can.

Well good luck with your final year!

What was your first illustration job, and how did you get it?

Well my first illustration job was actually with a family friend. It was very convenient and they happened to stumble across my work. Later down the line they asked me to create a few illustrations for them which they now have hanging up in their house. From there it was pretty much word of mouth. You would be surprised by how much people enjoy spreading the word about traditional artists! I think it's a very integral part of being an illustrator. Getting your work out there and sharing it with the world! You never know who is going to be interested in asking for a commission. My first serious fashion illustration job came from social media funnily enough. A fashion designer happened to come across my work on instagram. They then requested for me to create some fashion illustrations for London Fashion Week and have done now for about 3 years running. Keeping a good relationship with a client is extremely important because if they are happy with the work you have produced for them. They will spread the word to their own connections about you and that's how I get most of my freelance work. 

Summing it up, social media and word of mouth is how I got my first job. 

What is your favourite work and why? 

This is always a very difficult question for me to answer because I usually don't like anything I produce straight away. Which I've heard many in the same industry as us have that very same problem. I'm a bit of a perfectionist, so I will always find a part of a piece which I'm not so keen on. But one piece I recently did which I really like is-

Inline image 1
 I think it's one of my favourite pieces purely due to the composition and colour scheme.  

How do you motivate yourself to do great work?

With a lot of coffee! I tend to be a little bit of a procrastinator so it can take me a good while to just sit down and sketch something out. Usually reading magazines, listening to music or searching the web helps inspire me. From there I can usually get an concept for an illustration. Although with client based work you don't really have the time for an art block. So usually when it comes to short deadlines I just crack down and try to get something done no matter if I don't like it or want to spend more time on it. 

What's your least favourite work and why? 

I think some of my older pieces aren't great. Just due to the lack of digital editing and lack of realism. Back then I didn't know how to use Adobe software so a lot of my designs weren't as clean or well edited as they are now. You will constantly develop you skills and style over time. 

Inline image 2

Do you have any tips for someone who is graduating and is very nervous about it?!

Relax! lol. Even though that sound's ridiculous try to take a breath and if you're stressed over something. Take a short break and come back to it. Rome wasn't built in a day! Tips... Well I think keeping a good presence on social media is very important! Create a website/ portfolio for your work if you haven't already. Internships? And most of all enjoy what you do! If you have a strong passion in illustration people will be able to see it. I'm sure you will do just fine :).

Good Luck! 
Sorry for the delay, I hope what I've said can help you in some way. 

Kind regards.


Jazmine Cant

Tuesday, 8 March 2016

Curriculum Vitae

I've written up a CV to send along with my portfolio when applying for jobs.
This one is for general use, and shall be changed in accordance with the roles I apply for. I'll also need to add covering letters.
I've not wrote one of these for a while, and I haven't used a CV for art and design related jobs, so I'm not entirely sure if it is ok, but it will do for now.

Abby Glover
Curriculum Vitae
Soon to graduate from Leeds College of Art, I am an extremely determined and hardworking individual. My previous experience has taught me to deliver a high work output. I am particularly good at working in a high pressure environment and am keen to work with other people.

Education
Leeds College of Art (2013-2016)
BA (Hons) Illustration
King Edward VI College Nuneaton (2012/2013)
Foundation Art - Distinction
King Edward VI College Nuneaton (2010-2012)
A-Levels: Fine Art, Psychology, Health and Social Care,
AS Levels: Communications & Culture, Biology
Alderman Smith School Nuneaton (2005-2010)
10 Grade A-C including an A* in Product Design and A in Art & Design

Work Experience
Heart of England Co-Operative Society Limited (2010)
2 Week Office Work Placement
Role:
Working in a busy, team driven office environment, the role I had was mainly administrative. Within this placement, the skills required of me included organisation, filing, handling invoices, sorting mail and filling in spread sheets. I fulfilled these tasks to the best of my ability, and learned the importance of office work within a business. I feel that the work particularly strengthened my ability to use Microsoft office programmes.

Stockingford Early Years Centre and Library, Nuneaton
Work Placement
September 2010 – December 2010 (4 months)
Role: Assisting with play activities for small children and their parents, ensuring an effective, clean and fun play environment for positive experiences. This involved keeping the place tidy and serving food. This experience brought me more confidence in talking to different age groups, as communication was key to the role. I helped provide a service to keep parents and infants happy and entertained, which taught me to keep a positive attitude in the work place and support those around me.

George Eliot Hospital NHS Trust, Nuneaton
Domestic Assistant
March 2011 – August 2013 (2 years 6 months)  
Role: For this role, I worked as part of the hotel services team as a domestic assistant to ensure a safe, clean environment for patients. This job required me to work to tight deadlines in order to make sure rooms were ready for patients. The role of domestic assistant also required my fast response to a pager, providing a ‘rapid response’ for emergency call outs. My time at the hospital helped me to learn many general life skills, such as empathy, communication and resilience. In such a large work environment with many vulnerable people, it was important to me that I worked as effectively as I could, keeping focus at all times, being ready and vigilant for anything. On many occasions I also had to work as part of a team to ensure jobs were done efficiently in a larger area of the hospital, or on a shorter time scale.
Communication skills were developed further in response to working with colleagues as well as around patients.

Unipol Student Homes, Leeds
Student Warden
September 2013 – February 2014 (6 months) Leeds, United Kingdom
Role: My time working for Unipol in Leeds was really fun and challenging, as I had a number of responsibilities. My predominant position was at the front desk of the student accommodation, being the first person people went to with their queries. During such a time, written and spoken communication with colleagues and existing/ potential tenants was essential, and had to be legible. Telephone calls and emails were a large part of the role, along with running the company’s social media pages Facebook, Twitter and Pinterest. Being in contact with tenants ensured that they had support with whatever they needed.  I provided on site maintenance, keeping the premises on top form, further ensuring the happiness of tenants. Being on hand for emergency call outs required much dedication, and readiness for emergency/ tricky situations, including fire alarms, fights, noise complaints and lock-outs. In addition to this, my role also included taking perspective tenants on apartment viewings and answering important questions.
  Monthly meetings with our manager and other wardens were essential for bettering the quality of our service, as well as discussions on how to improve our tenant’s experience with Unipol. This involved the wardens arranging social activities and events.
This job also required me to be first aid trained, and early years trained for cases which dealt with under 18s.

Student Ambassador
Leeds College of Art
November 2013 – Present (2 years 4 months) Leeds, United Kingdom
Roles: During my time at university, I worked as an ambassador to help with the promotion of Leeds College of Art. I had two different roles; as well as being a general ambassador for the university, working open days, interviews etc. I was also a progression ambassador. The position required me to help with advertising the college, informing younger people about the opportunities of art school in a series of school visits and on site workshops.
  When working as an ambassador, I understood the importance of being a welcoming, friendly face. I was always happy to help people understand whatever they wanted to know about Leeds College of Art or the city, or even being a student in general. I have a lot of enthusiasm for helping people as well as working alongside others, and this ensured that people got the right idea about the institution. Dealing with groups of people is something I learned to do, as my ambassador job involved many tours and chats about the university.
My presentation skills are also developed as a result of this as well as my university course

References available on request

Leeds College of Art
The journey of being at Leeds College of Art has been my most significant achievement so far. Adapting and learning how to practice as an illustrator has challenged and pushed me extremely far.
I learned essential skills, such as using both mac and windows operating systems to deliver high quality illustration, design, and industry standard prints through the use of Adobe suite programmes such as Photoshop, Illustrator and Indesign. I am also highly competent at using screen print processes.
As well as being able to deliver professional artwork, I have also gained many other skills that I shall continue using forever. My academic skills have developed researching projects and ensuring they are clearly communicated, as well as completing academic writing assignments. Verbal communication has also improved through constant discussions/ presentations of projects.
My work output has increased exponentially across my degree. Illustration at Leeds College of Art is a highly demanding course, completing many projects alongside each other and learning to balance workloads is essential, time management needs to be flawless in order to do well.

Achievements
WJEC Foundation Art & Design Excellence Award 2013
Certificate to mark excellent achievement in WJEC’s Diploma in Foundation Studies Art and Design Course.
Freelance Experience - Client Commissions
Numerous private painting commissions
Yardley Chase Cadet Training Centre 1m x 2m Wall Mural
Logo Design – ‘The Homemade Stag’
Private wedding invitations

Exhibitions
Art Foundation End of Year Show 2013
King Edward College 28/06/13- 12/07/13
WJEC Foundation Art & Design Excellence Award 2013
 G39, Cardiff, 8/11/13-14/11/13
Off the Page
Colours May Vary, Leeds 21/02/15 – 13/03/15
Beautiful, Beauty, Brokenness, Broke
St Georges Church, Leeds 25/02/15 - 28/02/15
Work in Progress
Leeds College of Art 16/05/15-/15 - 30/05/15

Other Achievements
28/06/13 One of my greatest personal achievements was when worldwide renowned singer Jessie J shared my 6ft painting of her on Instagram. Her caption was "Who did this? I want to know! It's amazing!" She eventually 'liked' my images and commented on one saying "Yeah!!!! It's sooo amazing!! I wanna see it in real life!" she also followed me on Instagram for a short while, and my college's marketing department got in touch with the local news, managing to get the story on the front page of the town's newspaper, as well as interviews for Heart FM and Free Radio.
First aid trained (2013)

Leeds Safeguarding Children Board – Introduction to Working Together to safeguard Children and Young People Level 1 (2013)

Website

abbyglover.co.uk

I've finally done a website! I'm not mega proud of it, but it's a start at least. I think I've been so reluctant to put it together because I'm really not sure about how best to put my work together (I've struggled on the portfolio side of it too) - I'm really reluctant to pick out work and say 'I'm proud of this' or 'this represents me' because I'm so self concious of it all, and I don't think much of it really sits together neaturally? For each project I have done such different things, using different media and colour, I feel like it looks okay on its own, but starts to look too crowded next to each other. So to start with I've uploaded one or two photos of what I hope is my strongest work, and put them onto different pages. So far I have my home page, with my most recent cop projects on there. Then I have an 'Animals' page, 'Portraits', 'Anatomy', 'Products', and 'About'.

It was all a bit rushed because I wanted to get something out there in order to apply for placements and have a web address to put on my business cards etc. So I will be re visiting it at some point. When I change and edit it, I'll be getting more work on there, as well as updating the format they are shown in; at the moment the work is in a gallery format, that just flicks from one image to another. I like this, but I also want to figure out how to display all of the images below or something, so that they are all immediately apparent on the page/ the viewer can scroll through.

Hodaya Louis

Hodaya Louis is an artist based in New York and has had many fashion illustration jobs including new york fashion week and W magazine. Her work is mostly painted portraits, but fashion illustrations are also part of her portfolio. 
She responded to my email with some commercial advice:

 Hi Abby!

thank you for contacting me - see below answers. I wish you Tons of luck in starting you career! 

What was your first illustration job, and how did you get it?
I started as an art and fashion illustration tutor - I had an ad in craigslist.com describing that I can also teach watercolor - so someone emailed me if I can do an artwork for their wedding invitation for $250, and that's how I started. 
What is your favourite work and why? 
to be honest - I don't like doing commissions artworks, because then I'm under constant pressure to try and match the client's expectations to reality. So my favorite job would be to paint with creative freedom -, object, style completely up to me.
How do you motivate yourself to do great work?
I post on Instagram. that's a very motivation thing - because followers comment and ask questions and when I have days when I don't feel like being productive - knowing that if I post an artwork people will immediately react - that's an amazing motivation. 

What's your least favourite work and whygraphic design. I use photoshop and illustrator (which is VERY IMPORTANT!) and occasionally I need to use it for graphic design - for example I did a wine label with my artwork and I needed to also design a logo  -not fun, but important to try!

Do you have any tips for someone who is graduating and is very nervous about it?!
make sure you have a COMMERCIAL skill that is in your field - for example, graphic design. my main income is that (even if I don't love it), not actual art. But I love art and want it to be my main job - so PRACTICE. every single day I either draw/paint/ whatever it is, and I can tell you that in 3 years my abilities have grown so much - as anyone else would with daily practice. ALSO: I am constantly looking for projects/gigs/collaborations. Some are unpaid, but I establish connections through them. I also send resumes and sample work to any publication that might find it interesting. social media is key - PROMOTE your work constantly through all channels - upload work in progress, inspiration, etc . 

🌷
Hodaya

This is good advice also, because she talks a lot about essential skills for jobs. I've heard of sending out samples to publishers, which is something I think I'll try and do soon. The social media element also seems key.